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・ Natalia Buzunova
・ Natalia Bykova
・ Natalia Bykova (tennis)
・ Natalia Cabrerizo
・ Natalia Castrén
・ Natalia Cerches
・ Natalia Charłos
・ Natalia Chernogolova
・ Natalia Chernova
・ Natalia Chudzik
・ Natalia Chumakova
・ Natalia Cigliuti
・ Natalia Cimin
・ Natalia Clare
・ Natalia Clovis
Natalia Contesse
・ Natalia Cooper
・ Natalia Cruz
・ Natalia Czerwonka
・ Natalia da Rocha
・ Natalia Dalekova
・ Natalia Damini
・ Natalia de Luccas
・ Natalia de Molina
・ Natalia del mar
・ Natalia Dicenta
・ Natalia Dik
・ Natalia Dorado
・ Natalia Dubova
・ Natalia Dubrovinskaia


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Natalia Contesse : ウィキペディア英語版
Natalia Contesse

Natalia Contesse Bamon (born June 21, 1978 in New Orleans) is a Chilean folk musician and historian. She began her musical career in 2002 in Santiago, Chile, and throughout her career has sought to integrate Chilean folk music traditions into her work. Contesse is also involved with the Escuela Chilena de Folclor y Oficios (Chilean School of Folklore and Crafts), an institute located in the same place as Violeta Parra’s ''Peña''〔(Siguiendo los pasos Violeta: Las nuevas voces femeninas del folclor chileno ) This is Chile 2014 - Creative Commons Atribución-Compartir Igual 3.0, retrieved in December 2014〕 which aims to continue Parra’s vision for Chilean music and culture.
==Biography==
Born in New Orleans in 1978, Natalia returned to Chile at a young age. In 2002, she began performing with groups such as Los Obreros del Ritmo and Detucunaatutumba. It was in this year too that she attended a workshop by Chilean folk singer-songwriter Manuel Sánchez, beginning an interest in traditional Chilean music.'〔(Natalia Contesse Biography - Discography (es) ) musicapopular.cl 2006 - 2014, consejo nacional de cultura, retrieved in December 2014〕
Between 2006 and 2009, Contesse fronted the folk group Vena Raíz,〔(Vena Raíz Biography - Discography ) musicapopular.cl 2006 - 2014, consejo nacional de cultura, retrieved in December 2014〕 a group with Andean, Afro-Peruvian, Mapuche and Cueca influences.〔〔
In 2011, Contesse released her first solo album, “Puñado de Tierra” (English: “Handful of Earth”), after having won a national competition to create an album under the Sello Azul label run every two years. For one single from the album, Décimas al Agua, Contesse sings accompanied by only the guitar (a style popularised by Violeta Parra), asking that water continue to bless the Chilean landscape. She considered this song a “prayer so that there is water for seven generations more”.〔(Natalia Contese release ) selloazul.cl Sello Azul 2014〕
Contesse also opened a cycle of “surprise” concerts held in the Santiago Metro in 2011.〔(Natalia Contesse abre hoy ciclo de conciertos "sorpresa" en el Metro ) latercera.cl June 21, 2011, retrieved on December 15, 2014〕
In 2013, Contesse released her second album, “Corra la Voz” (English: “Spread the Word”), which incorporated woodwind instruments.〔(Natalia Contesse Discography ) 2013 Natalia Contesse, retrieved on December 15, 2014〕
She continues to perform throughout Chile, including as part of music festivals such as the Valparaíso Rock Carnaza Festival.〔(25 cantautoras chilenas animan en Valparaíso festival Rock Carnaza ) thisischile.cl Creative Commons Atribución-Compartir Igual 3.0 retrieved on December 15, 2015〕 Contesse has said that her aim when on stage is “to be there for the people”.〔(Natalia Contesse: Mientras más gente es más directo el trabajo ) cooperativa.cl June 11, 2011, retrieved on December 15, 2014〕
Alongside her musical career, Contesse is also involved with the Escuela Chilena de Folclor y Oficios (Chilean School of Folklore and Crafts). The school is situated in the municipality of La Reina, Santiago, at the same place where Violeta Parra erected her Peña to host performances by musicians of traditional Chilean music. It aims to continue Parra’s dream, to research, create and diffuse Chilean cultural traditions.〔

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